From Middlemarch to Money, the novelist picks the best stories of societies under stress
Unfit state … Nick Frost (centre) as John Self in the BBC adaptation of Martin Amis’s money. Photograph: Laurence Cendrowicz/BBC
The Rabbit series is stunningly observant of changing America over five novels and four decades. Rabbit at Rest stands out. It is wonderfully assured, as though after three decades Updike know had come to know Rabbit Angstrom to the depths of his being.
India and its bewildering diversity, deployed in extravagant and beautiful prose.
Dickens lived with the dark personal knowledge that you could go up or down in society and his novels often have a dark shadow of the workhouse hanging over them. I could add at least three others, but Mr Merdle in Little Dorrit seems to come straight from one Dickens’s own nightmares.
Devastating and prescient on the state of South Africa, post-apartheid. Although his take on the new South Africa was dark, his intimations both about the tolerance of violence and the disregard for high culture have proved horribly prophetic.
The father of all English state of the nation novels and strangely contemporary in its multiple layers and themes, which include marriage, hypocrisy, politics and the status of women.
The best of Roth’s state of Jewish America novels. It has a maturity and a lyricism and was perhaps a necessary journey away from his staple character, Nathan Zuckerman, who has only a small part in this book.
There is no question that Amis wrote one of the most influential novels of the late 20th century with Money. He was quickly on to the understanding of a new sort of society, obsessed with money, celebrity and self-gratification.
It tends to be disparaged now, but in fact it caught the mood of the time when “masters of the universe” were a relative novelty.
Mostly fine novel about contesting ideologies, whose theme was succinctly expressed 50 years ago by Isaiah Berlin: “Freedom for the wolves has often meant death for the sheep.” The Corrections is also a state of the nation novel, but less obviously.
This may not at first sight appear to qualify, but it would be a mistake to see Home and Gilead, the other half of Robinson’s wonderful saga, as just about family: the outside world is beating like a bird against a window of the vicarage.
Justin Cartwright – guardian.co.uk, Wednesday 9 March 2011
Justin Cartwright was born in South Africa and educated in America and England. His novels have won numerous awards. In Every Face I Meet was shortlisted for the Booker Prize, Leading the Cheers won the Whitbread novel award and The Promise of Happiness won the Hawthornden Prize for Literature in 2005. He has won other awards including a Commonwealth Writers’ prize and the South African Sunday Times award. He lives in north London with his wife and, occasionally, with his two sons.